One thing I’m consistently guilty of in my fiction drafts is “White Room Syndrome.” I’ll have pages and pages of dialogue with nothing to give it color or movement or sense of place. My scenes lack sensory details, leaving my characters floating in some sterile void.
If this challenge resonates with you, here are four revision strategies for eliminating white room syndrome and grounding your characters (and your readers) in space and time.
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How can you be sure you get the kind of beta reader feedback you need to pinpoint remaining opportunities for development and start figuring out how to fix them?
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Every type of feedback is important for the development of a strong manuscript, but what you need from your editor depends on where you are in the process.
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You’ve sent your work off to critique partners, beta readers, or a developmental editor, and now you’re staring at a pile of feedback, wondering how, exactly, to approach it.
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Finding the right editor can be overwhelming, but take your time and be persistent.
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If you want to produce a polished, professional, and captivating book, investing in professional editorial support is the way to do it.
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A 360° view of a draft: what’s working, what’s not, and what concrete steps I recommend an author take to prepare the manuscript for publication.
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Learn what beta readers do and how to work with them to make sure your manuscript is a page turner.
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As you’re mapping out new scenes or reviewing the ones you’ve already written, see if they pass this test.
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I have high standards, and I’ll shoot you straight, but my goal is to guide and inspire each author I work with to meet those standards and create a manuscript she can be proud of.
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